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  What’s one thing you wish you could do really well but have always been too timid to try?

  Gliding. I would love to have the feeling of being completely free, soaring in the sky with only the wind to carry me. I have tried hang gliding and was really scared when I had to jump off the cliff. But I didn’t go very far and I was with a friend. I think gliding would be different. I could be up in the clouds for hours.

  Gabi, do you have one piece of advice for OAGs everywhere?

  If you want to be really good at something you need to practise. Talent is only a small part of it. If you have a passion, then practise that passion every day.

  5 QUESTIONS FOR PENNY MATTHEWS, AUTHOR OF THE NELLIE AND RUBY BOOKS

  How are you and Nellie similar, and how are you different?

  My first reaction on reading this question was that Nellie O’Neill and I aren’t a bit alike. Nellie has experienced unbelievable hardship, and yet she is brave and optimistic and resilient – far more so than I could ever be. And she’s passionate and hot-tempered, while I am usually fairly calm. But when I thought about it some more . . . We both believe that who you are is much more important than what you are. We both hate injustice and prejudice. We both value the love of family above everything else. We are both superstitious. And we both love animals, especially cats! So perhaps we are quite similar after all.

  If Nellie were around today, what would she do on Saturday mornings?

  In 1849 Nellie’s Saturday mornings would be like every other morning. She would get out of bed and start work at about five-thirty. She would make sure the kitchen stove was well alight, and she’d start to prepare breakfast, first making bread from the bread dough she’d set to rise the night before. So if Nellie was around today, I think she’d sleep in for as long as she could. She’d read in bed until it was time for breakfast, and she’d read some more while she was eating her muesli. (She’d be reading at least three books at once.) After that her best friend Mary Connell would come around, and they’d go off together to their Irish dancing class.

  Penny, when you sat down to start the OAG books, what was the first sentence you wrote?

  So this was South Australia! It’s hotter than a good turf fire, Nellie thought.

  What’s one thing you wish you could do really well but have always been too timid to try?

  I’ve always wished I could speak a foreign language fluently. But I wouldn’t say I was too timid to try – just too lazy! I’d be much too timid to do bungee jumping or white-water rafting, but I don’t think I’d want to do these things even if I could . . .

  Do you have one piece of advice for OAGs everywhere?

  Be true to yourself, and never give up. You just don’t know what wonderful thing might be waiting for you around the corner.

  5 QUESTIONS FOR SHERRYL CLARK, AUTHOR OF THE ROSE BOOKS

  How are you and Rose similar, and how are you different?

  I think Rose and I are alike in that we both like to think things through and make a decision, rather than putting it off. I suspect Rose is braver than me, and she is definitely better at sport than me. We both love reading, though.

  If Rose were around today, what would she do on Saturday mornings?

  She’d be playing cricket in the summer! In the winter, I think she would be eating a large breakfast and looking forward to going to the footy.

  When you sat down to start the OAG books, what was the first sentence you wrote?

  I can’t remember! It’s lost in the drafting somewhere, but I am pretty sure it was Rose wondering what she would get for her birthday.

  Sherryl, what’s one thing you wish you could do really well but have always been too timid to try?

  I wish I could play a musical instrument, maybe the piano. I know Rose hates her piano lessons but that’s because the teacher is horrible.

  Do you have one piece of advice for OAGs everywhere?

  Be brave, stand up for what you know is right, follow your dreams.

  5 QUESTIONS FOR SOFIE LAGUNA, AUTHOR OF THE GRACE BOOKS

  How are you and Grace similar, and how are you different?

  Just like Grace, I loved horses when I was a girl. I have always found them so mysterious and beautiful and graceful. Horses remind Grace that the world is a good and magical place full of possibility and adventure. Maybe horses reminded me of the same thing when I was growing up. I am different to Grace too, though. I am outgoing, I have always loved to laugh and share things with my friends. I am confident in ways that Grace isn’t; I love to put on plays and perform and pretend to be other characters. Grace doesn’t get a chance to discover that side of her personality until she meets Hannah.

  Sofie, if Grace were around today, what would she do on Saturday mornings?

  Go to a horse-riding lesson with her best friend! And Grace would love picnics – where she can look at the trees and the water and the sky and feel free. Freedom is very important to Grace, as is family. I would hope that if Grace were around today she would find herself in a loving family with brothers and sisters to share her life with.

  When you sat down to start the OAG books, what was the first sentence you wrote?

  I better get back to the shore before the tide comes in or I’ll be drowned like poor Annie.

  What’s one thing you wish you could do really well but have always been too timid to try?

  Surfing. I am scared of the waves and of sharks and of being that out of control. But I envy the surfers riding the waves, being away from the streets and buildings and shops and feeling peaceful, feeling brave, feeling powerful and close to nature.

  Do you have one piece of advice for OAGs everywhere, Sofie?

  Advice? Find creative ways to express anything that feels difficult or scary. Write, draw, make things, perform, play music. Being creative can change the hardest things into wonderful things.

  5 QUESTIONS FOR SALLY RIPPIN, AUTHOR OF THE LINA BOOKS

  Sally, how are you and Lina similar, and how are you different?

  Lina and I are similar in that we both love books and longed to be writers from a very young age. I loved writing stories in English and at Lina’s age, I had a teacher who would often read my work out in class. Also, like Lina, I had a father who was hoping I would go on to university to study to be a doctor or a lawyer, but instead I went to China to study traditional Chinese painting. He was disappointed for a while, but my father is proud of what I do now.

  If Lina were around today, what would she do on Saturday mornings?

  She’d probably lie in bed til midday and read!

  When you sat down to start the OAG books, what was the first sentence you wrote?

  Before I began writing the first book, I planned out what was going to happen in the four books in a detailed synopsis. The first paragraph was: ‘Carmelina (Lina) was born in Melbourne of an Italian migrant family. She has two bossy older brothers and one younger brother who she complains about having to look after but secretly adores. The only advantage of being the only daughter in the family is that she doesn’t have to share a room with her brothers, but she does have to share a room with Nonna who is hardy and fierce and doesn’t think twice about giving a wayward child a slap to keep them in line.’

  The first line I wrote for Book One made it into the final version: “Lina woke to the sound of the rooster crowing in the back yard.”

  What’s one thing you wish you could do really well but have always been too timid to try?

  Sing on stage with a band. In another life I would have loved to be a musician.

  Do you have one piece of advice for OAGs everywhere?

  I love this Oscar Wilde quote: ‘Be yourself, everyone else is taken’. I think it’s a perfect piece of advice for an OAG.

  ouraustraliangirl.com.au

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  First published by Penguin Group (Australia), 2013

  Text copyright © Sally Rippin, 2013

  Illustrations copyright © Lucia Masciullo, 2013

  The moral right of the author and illustrator have been asserted. All rights reserved.

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  Cover portrait copyright © Tim de Neefe

  Photographs reprinted with kind permission from Melbourne University Press.

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  ISBN: 978-1-74253-523-4